Linda Fisher |
We featured Royalton Music Center in North Royalton, Ohio in
one of our earlier posts, highlighting their music therapy program: http://www.teachflute.com/2012/12/healing-powers-with-royalton-music.html.
They also have a very busy lesson program for wind, string, and voice
students. Flute Instructor Linda Fisher recently shared her guide to
purchasing step-up flutes with us. Linda's guide was designed to answer
some of the essential questions she receives from parents on the topic of
step-up flutes. We will share her guide in several posts, beginning with
some of the essentials:
Question 1: Why does
my child need a new flute?
That's usually the first question parents ask themselves
when their child's teacher recommends a "step up or intermediate"
flute. Think of it this way, your budding musician has now reached the
limitations of a student model -- that's great! What limitations? A
flute is a flute, right? Well, yes and no. All flutes have three
parts:
A headjoint – which is the part we blow across.
The body – where our fingers press
the keys down (the middle section). On
an “open-holed” flute, the keys that our fingers press down actually have holes
in them. It’s hard to have bad hand position
if you have to keep holes closed!
The foot – the bottom section of
the flute. On a step up flute, an
additional key (B) is added – this gives the player access to notes that were
not previously available on the student model.
Question 2: Why is
the headjoint so important?
The part of the flute we blow across is the headjoint. Eighty to ninety percent of our sound comes
from this part. One way to make the tone
different is to make the headjoint out of a different material. The first choice for step up flutes is to
make the headjoint out of sterling silver.
Try this exercise, ring a silver plated bell. Now ring a sterling silver bell. Notice the tone on the sterling silver bell
has a ring to it – almost a deeper, richer tone. That’s the sound we are looking for in a
flute. But it doesn’t end there. Some flutes have a higher content of silver
than others. Well, if it has more
silver, then it’s better, right? Not
necessarily! The best one is the one
that sounds the best for YOUR flute player.
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