|Tammy Evans Yonce|
- Technical work. As you get closer to the date and the music starts coming together, there might still be some technical spots that continue to give you trouble. As reassuring as it is to keep practicing the music that you *can* play, it’s a smarter idea to focus most of your available practice time on working out the tricky spots.
- Recordings. Listening to recordings is incredibly helpful. They can quickly clarify questions that you might have about interpretation or ensemble. On the other hand, they might also be a good indication of what you *don’t* want to do. Either way, listening to a variety of recordings is a valuable investment of time when preparing for a recital.
- The importance of rehearsals can’t be overstated. No matter how easy the coordination between the different parts of a work may seem, there are always those quirky mistakes that can spring up unexpectedly. If you’ve spent a reasonable amount of time in rehearsal, you should be able to minimize those unfortunate mistakes. Write in cues for music in the other parts that you seem to always notice. Even if the performance is going perfectly well, those aural reassurances might be just what you need to set your mind at ease.
- Try to practice in the recital hall as much as possible. In larger venues, this isn’t always possible since they tend to be booked up all the time. You can still talk to people who have played in the space before. Is it a live space? Muffled? Hard to hear your chamber music partners? Do there always seem to be balance problems? Get as much information as possible before your dress rehearsal and performance.
- Do some practice run-throughs in your formal clothing. For guys, this probably isn’t such a huge change, but for ladies, this can be a major adjustment. Think about the temperature in the hall. Do you want to wear something sleeveless, or will you be shivering? If you’re wearing a dress, make sure it isn’t too long; you don’t want to trip over the hem on your way across the stage. And don’t forget to think about your shoes! If you tend to stick to flats most of the time, this might not be the time to try out those 4-inch stilettos, no matter how good they look. It’s a good idea to practice in the shoes you intend to wear for the performance itself.
- I’m a big believer in practicing in small sections. As far as learning technical material, it’s really the most efficient way, even though it requires more focused practice. However, the experience of giving a performance is completely different from working in these small chunks. As your recital date approaches, it’s a really good idea to start playing through your entire program. A couple of weeks before is usually a good time to try this because your technique should be solid and you should be quite familiar with the music. If you can’t make it all the way through, that’s ok. You still have a couple of weeks to build up endurance. Keep trying to make run-throughs of your recital program and try to get a little further in it each time.
- Basically, preparation is the key to a successful performance. Trying to visualize all aspects of the performance from the actual music to the performance space to your clothing will help you pull off a polished, solid recital.