Yesterday, we had the chance to catch up with young Powell
flute artist, Emma Resmini. She
had a very full summer, which included much flute playing and a bit of rest and
relaxation as well. One of the
major events of her summer was the James Galway Festival in Switzerland. This year marked her second year in
attendance at the festival.
Sir James Galway and Emma |
With a name like James Galway, even we were a bit nervous,
but his celebrity status did not instill fear in Emma. She thoroughly enjoyed working with
him, and her mother noted his jovial rapport with Emma. We asked Emma to tell us a bit more
about her experience. She told us,
“It was fun – you got to perform twice, and it is really a great
experience. It is also in a really
beautiful place. I played alto
flute in flute choir, too. I like
playing alto flute. I don’t play
it much, but when I do, it’s a lot of fun.”
Sounded like a terrific time for a young flutist, but we
were still curious about what it was like working with Sir James. Emma said, “He always has good
advice. Last year, we worked on
concertos, and he helped me with what to expect when playing the concertos with
an orchestra. He has very helpful
tips, and I don’t have to change anything about the way I want to play a piece
– he lets me play it the way I want.”
This last statement truly made us smile.
Emma and Lorna McGhee, Principal Flute of the Pittsburgh Symphony |
Now that Emma is back in the U.S., she is fully into the
swing of the school year. Emma is
now 13 and in the 8th grade.
She is home schooled but also participates in the National Symphony
Orchestra Fellowship Program, where she is working on chamber music – a flute
quartet, specifically. For private
lessons, Emma is studying with Alice Weinreb and working on the Reinecke Flute
Concerto, Op. 283 and the Saint-Saëns Introduction
and Rondo Capriccioso, Op.28 (for violin
and orchestra). Since the Saint-Saëns
is originally for violin, we asked Emma if it was particularly
challenging. After all, string
players do not have to worry about taking a breath! Emma assured us that it is not too different. She said, “There are only a few notes
that are out of the flute’s range, so just a few octave changes. I try to keep it close to how the
violinists play it.” Next on the
performance circuit for Emma are solo performances in January with the Laredo
Philharmonic and in June with the Shenandoah Valley Bach Festival Orchestra.
Emma with friends from the Galway Festival (Elayna Sabelhaus and Chloe Ellen Jones) and Lady Jeanne Galway. |
We enjoyed our conversation with Emma, and as always, we
were curious to see if she had any more advice for younger players. She says, “Just play the best you can
and try to have fun – that helps!”
We couldn’t agree more. If you
are attending the 2013 Midwest Band and Orchestra Clinic in Chicago, Emma will
be a featured guest at the Powell Flutes booth on Thursday, December 19th. We hope you’ll stop by to meet her!
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